The Warlord of Mars by Edgar Rice Burroughs
My rating: 5 of 5 stars
Takes up immediately following the cliffhanger at the end of Gods of Mars. John Carter has remained on Mars and is consumed with rescuing Dejah Thoris and Thuvia from the year-long trap. Unfortunately the troublesome Thule and First Born captors escape with them first and Carter becomes the pursuer with plenty of near miss rescues and exciting escapes. Burroughs continues with the blistering pace of the previous book and introduces yet another lost race of Barsoom, yellow skinned humanoids. A very worthy final chapter to the Barsoom trilogy, just as imaginative and exciting as the preceding stories and perhaps the best of the three. The epic battle at the end and the followup tie up everything nicely. Loved it. Five stars.
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Sunday, April 17, 2022
Thursday, April 7, 2022
Review: Desire in the Dust
Desire in the Dust by Harry Whittington
My rating: 2 of 5 stars
The characters are all stock and by the time they are introduced in the first few chapters you will already know what is going to happen. I read on in the hope of being surprised in the way that so many of these Gold Medal books do with plot twists and off-the-rails character behavior. Unfortunately, that did not happen in this one. Everything I thought would happen did, including the big reveal that was guessed at back on about page 10. In the meantime I had to endure long stretches of expository dialog. The characters are well-drawn and the plot nicely ordered, but this is all so familiar and predictable. First published in 1956, so maybe it gets a pass because reading it now, after several generations of TV and movies have followed this formula, I shouldn't be surprised that it seems familiar. However, this one is completely formulaic in a way that is unlike most of Whittington's other novels.
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My rating: 2 of 5 stars
The characters are all stock and by the time they are introduced in the first few chapters you will already know what is going to happen. I read on in the hope of being surprised in the way that so many of these Gold Medal books do with plot twists and off-the-rails character behavior. Unfortunately, that did not happen in this one. Everything I thought would happen did, including the big reveal that was guessed at back on about page 10. In the meantime I had to endure long stretches of expository dialog. The characters are well-drawn and the plot nicely ordered, but this is all so familiar and predictable. First published in 1956, so maybe it gets a pass because reading it now, after several generations of TV and movies have followed this formula, I shouldn't be surprised that it seems familiar. However, this one is completely formulaic in a way that is unlike most of Whittington's other novels.
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Wednesday, April 6, 2022
Review: The Seventh
The Seventh by Richard Stark
My rating: 5 of 5 stars
This seventh Parker novel is a beaut. One of the things I'm really enjoying as I reread all these Parker novels is the way that Stark (Donald Westlake) varies the formula from book to book. The style has the same forceful elegance. And Parker is the perfect mix of amorality and practicality. There are heists and complications from within the crew and antagonists from without. There's the four part structure, with the third part in the POV of the antagonist. These are the staples of a Parker novel. But StarkLake always mixes up the emphasis. Sometimes it's the heist planning, sometimes it's the heist itself, sometimes it's the aftermath, and sometimes it's all about complications with the crew or with the antagonists getting the upper hand. In The Seventh, which begins with Parker kicking in an apartment door, it starts right off with the antagonist having the upper hand along with the loot from the heist. The heist itself already in the rear view mirror from page 1. Although we do get a nice backstory recap in summary form later in the novel. (Starklake was so confident in this story that he felt he could skip a cool heist about a stadium robbery!) So the progression here is Parker trying to figure out and find who stole the loot Parker was safeguarding for the crew. First he has to determine if someone among the crew is freelancing. The Seventh is probably my favorite so far of the first seven books in the series. A bit shorter, a bit faster paced, and Parker is equally in danger and kicking ass. Has some really nice set-piece scenes.
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My rating: 5 of 5 stars
This seventh Parker novel is a beaut. One of the things I'm really enjoying as I reread all these Parker novels is the way that Stark (Donald Westlake) varies the formula from book to book. The style has the same forceful elegance. And Parker is the perfect mix of amorality and practicality. There are heists and complications from within the crew and antagonists from without. There's the four part structure, with the third part in the POV of the antagonist. These are the staples of a Parker novel. But StarkLake always mixes up the emphasis. Sometimes it's the heist planning, sometimes it's the heist itself, sometimes it's the aftermath, and sometimes it's all about complications with the crew or with the antagonists getting the upper hand. In The Seventh, which begins with Parker kicking in an apartment door, it starts right off with the antagonist having the upper hand along with the loot from the heist. The heist itself already in the rear view mirror from page 1. Although we do get a nice backstory recap in summary form later in the novel. (Starklake was so confident in this story that he felt he could skip a cool heist about a stadium robbery!) So the progression here is Parker trying to figure out and find who stole the loot Parker was safeguarding for the crew. First he has to determine if someone among the crew is freelancing. The Seventh is probably my favorite so far of the first seven books in the series. A bit shorter, a bit faster paced, and Parker is equally in danger and kicking ass. Has some really nice set-piece scenes.
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Tuesday, April 5, 2022
Review: The Gods of Mars
The Gods of Mars by Edgar Rice Burroughs
My rating: 5 of 5 stars
John Carter, reluctantly transported back to Earth at the end of PRINCESS OF MARS, manages to get back to Mars after several years and ends up in the Barsoom forbidden zone fighting a slew of plant and ape monsters, and a surprise meet up with his pal the green Tars Tarkas the Jeddak of Thark. The novel then races at breakneck speed through fights, captures and escapes, and epic battles. ERBs world building skills are exceptional and he introduces more Barsoom races with their histories, imaginative foreign landscapes, and creatures. The character Thuvia is introduced and she will play a bigger part in the series going forward. Bear in mind that the stilted and florid early 20th century style of prose might pose a barrier to some readers. It’s clearly worth the effort to accommodate the language and enjoy this terrific sci-fi adventure novel.
This work is in the public domain and freely available from https://www.gutenberg.org/ebooks/64
My rating: 5 of 5 stars
John Carter, reluctantly transported back to Earth at the end of PRINCESS OF MARS, manages to get back to Mars after several years and ends up in the Barsoom forbidden zone fighting a slew of plant and ape monsters, and a surprise meet up with his pal the green Tars Tarkas the Jeddak of Thark. The novel then races at breakneck speed through fights, captures and escapes, and epic battles. ERBs world building skills are exceptional and he introduces more Barsoom races with their histories, imaginative foreign landscapes, and creatures. The character Thuvia is introduced and she will play a bigger part in the series going forward. Bear in mind that the stilted and florid early 20th century style of prose might pose a barrier to some readers. It’s clearly worth the effort to accommodate the language and enjoy this terrific sci-fi adventure novel.
This work is in the public domain and freely available from https://www.gutenberg.org/ebooks/64
Review: Sex and the Stewardess
Sex and the Stewardess by John Warren Wells
My rating: 2 of 5 stars
John Warren Wells was a pseudonym used by Lawrence Block for a whole series of these supposedly sociological/cultural studies of sexual behavior during the Sexual Revolution in the mid-late 1960s and early 1970s. Here we have "interviews" with stewardesses conducted by Wells. Made up, of course. There are interviews with eight typecast stews: the swinger, the good kid, the hooker, the celebrity hound, etc. Lots of made up biography and armchair psychology and cliched fantasy about hyper-sexual stewardesses. In the introduction it is suggested that stewardesses have replaced farmer's daughters as the new male fantasy (this is 1969). "She is every man's dream mistress, pleasant and poised, neatly groomed and becomingly coifed, cool under stress, always smiling, and - because she is booked on another flight tomorrow morning - as conveniently disposable as an air sickness bag." Even if this ilk of book is all fictional it is an interesting cultural time-machine.
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My rating: 2 of 5 stars
John Warren Wells was a pseudonym used by Lawrence Block for a whole series of these supposedly sociological/cultural studies of sexual behavior during the Sexual Revolution in the mid-late 1960s and early 1970s. Here we have "interviews" with stewardesses conducted by Wells. Made up, of course. There are interviews with eight typecast stews: the swinger, the good kid, the hooker, the celebrity hound, etc. Lots of made up biography and armchair psychology and cliched fantasy about hyper-sexual stewardesses. In the introduction it is suggested that stewardesses have replaced farmer's daughters as the new male fantasy (this is 1969). "She is every man's dream mistress, pleasant and poised, neatly groomed and becomingly coifed, cool under stress, always smiling, and - because she is booked on another flight tomorrow morning - as conveniently disposable as an air sickness bag." Even if this ilk of book is all fictional it is an interesting cultural time-machine.
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